How far he thereby is possible (and could) go the image of the decorated hairdresser matter proves.

The already present Roman zuilen and marble floors Govert Muijs persevered in a fresco of the Roman city were refined Pompeï. The applied fresco-like technique dovetails splendidly the chosen subject. "touch or humour" form the painted Roman emperor, who seems to follow the job of the hairdressers critically.

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